Star Trek – Battlestations!

I’m not going to let him work our windward Piper, bring the jib sheet in two pulls.  You left it too free.”

Always the cut.  Always the barb.  Why?  Didn’t he have enough laurels to sit on?  Not ten people in a million had his status.  Why pick on me?

But as I glared at the captain, ire mixed with a stab of sympathy for him…

Irritation.  Disgust.
That is my overall feeling when reading about Lieutenant-now-Commander Piper, and the strong desire to put the book down shortly after picking it up.

Battlestations! (#31 Pocket, #  Titan) is Diane Carey’s sequel to Dreadnought! 

Once again the adventures of one Piper nee Mary Sue is the last novel in a group of 10 that I had to read, and the prospect of reading another  adventure of Piper the cringe inducing wasn’t very attractive.  Now, I feel I was pretty magnanimous when I reviewed Dreadnaught!, these novels just aren’t for me… perhaps a younger me would have loved them, but not now and I can’t be forgiving now that I have read two of them.
From the outset Battlestations! is ridiculous.  The events occur mere weeks after the events of Dreadnaught! although Piper (Carey?) seems to have a weak grasp on what weeks actually means and Piper is on a sailing ship, on earth, with James T Kirk on whom she has a sizeable crush.  Dr McCoy is on the schooner (named Edith Keeler) presumably to stop any potential cheating on their respective Vulcans.  Suddenly, Kirk is whisked away on charges of stealing transwarp technology, brave Piper then has to sail the schooner (not before assaulting a number of security personnel) to a rendez-vous point where she meets up with old pals Scanner, and Merete and her new command the Tyrannosaurus Rex soon renamed S.S. Banana Republic (because renaming a ship is your first concern right)?  She also meets Spock later who informs her that Sarda (her pet Vulcan) is with the traitors who have stolen the transwarp technology.

The motley crew (Piper is in charge of course, even of Spock and McCoy) upset Klingons (while undercover in a bar on a technologically backwards planet) but eventually are joined by Kirk (having got off being arrested for stealing transwarp technology?).  They storm a research facility save(?) Sarda, get captured, watch as Spock and Kirk exchange deep and meaningful looks after they have been captured, get attacked by Klingons (again).

The moral repugnance of the main traitor is underlined as not only is she trying to sell of the transwarp technology to the highest bidder (causing an interstellar scramble) but also used a dangerous drug to knock out Enterprise’s crew, take control of the Enterprise and install the transwarp drive in her.

But.  That’s.  Not.  All.

Piper the ever annoying manages to damage one of the nacelles with the Banana Republic, she and her crew then get on the Enterprise and save the day, however the day is not saved as Klingon, Romulan and other powers start trying to take control of the crippled Enterprise.  A firefight ensues where Kirk orders the transwarp drive be repurposed as a weapon and used on the enemy ships, with… somewhat devastating effects.  After what seems like an eternity the cavalry come to save the day and finally the end of the book is in sight.

Still.  Not.  All.

Bonus(?) comedy chapter to prolong the reader’s suffering longer.  Piper is going to go sailing with Kirk again, she’s going to remain on the Enterprise, and Scanner video’d her unfortunate veil dance and initial harassment by the Klingons.  Then, when she goes to get some sleep, Scotty comes in because she broke his ship.

End.

There.  Now you don’t have to read it.  I’ve spared you from the incessant Mary-Sue-ing, the bad writing, the ridiculous contrivances, and ISS (Inexplicable Stupidity Syndrome).  And lets face it, the universe must have come down with ISS, because that’s the only way Piper(Carey?) could ever be the brightest bulb in the box.

I’m not alone!

Now, in my review of the previous book, I gave it/Piper/Carey the benefit of the doubt.  Now that I’ve had to suffer two of these unfortunately unforgettable books, I’m less inclined to play nice.  It’s getting a 1/5 (instead of Dreadnought!’s 2/5), I can’t handle the sheer amount of utter tripe I’ve had to read from this author so far.  Apparently the other ST novels she’s written are better, and from a fellow cynic!

And you know, it isn’t just a dislike of first person narratives.  I mean, I don’t particularly like them or dislike them as a narrative style… but as you know I’m picky, fussy, and critical and I just want books I read to be written well.  Even if you overlook that Piper is an awful character, even avoiding the stigma of the term Mary-Sue, both Dreadnought! and Battlestations! are terribly written.  They are simply badly written, poorly structured nonsense that frankly shouldn’t have been published.

“… hair fell around my face as I stared at the floor, cloaking me from their eyes.  I’d have liked to think of my hair as golden, but somehow it never got past pyrite.  The worse the situation got, the browner my hair felt.  Even after all those weeks under earth’s sun… 

How did my hair get into this?”

This is the level of inanity ladies and gentlemen, and this is frankly what I hate.  I really, really don’t care about this girl’s thoughts, I don’t care one iota.  I don’t care about her hair, I don’t care about her various insecurities or about how much she idolizes Kirk.  I don’t even want her reasoning for anything because it is flawed and silly and just screams ineptitude.

I really don’t want to watch as perfectly acceptable characters have to be shotgun to this girl idiot who can only exist in the position she is due to obscene plot contrivances.  One part that really irked me (one of many) was they were trying to break into the computer of the Banana Republic that Spock and Kirk had put on autopilot.  Why were they trying to break into the computer?  Because Piper doesn’t like being manipulated, also Carey has to show that Piper can out think Spock.  Everyone is amazed that Piper out thought Spock and nobody else could have come up with such a easy way to bypass the computer… after all –

“Machines are idiots.  They’re marvelous tools, but they’re stupid.  You know why they don’t put legs on computers?  Because they’d walk off a cliff if you told them to.”

Wonderful.  Thank you for you insight.  You’re fabulous Piper.  I am surely enriched by your words.  Please carry on. ((She hasn’t heard of the three laws of robotics then??))

The only down side to Piper being designated a Mary-Sue is that it gives you a false hope that she’d die at the end of the story.  Alas, she remains fully alive to the end and beyond.

Unlike the goon she disintegrates with a Klingon disrupter because she “needs to be taken seriously”.

Apparently Carey has been very open about Piper being a Mary-Sue character, well done Carey, you sold two sub par stories and got a nice little pay cheque out of it, you also ensured that there would be no further Star Trek TOS books with a focus on a main character NOT of the main cast, since after these two sorry excuses a ban was put in place prohibiting them.

1/5 – “Aw, that stinks” quoth a character with a brain cell.

Star Trek – Chain of Attack

Dr. Jason Crandall lay fully dressed on his bed, futilely trying to decide which was worse – the terrifying nightmare from which he had just awakened or the bleak reality that had replaced it.

Chain of Attack (#32 Pocket, # Titan) (1987) by Gene Deweese is one of those books which is sincerely a pleasure to read.  Almost clinical in its execution, Deweese’s clarity and excellent characterisation is only let down by a slight feeling of detachment as the author takes a ‘hands off’ approach to his characters emotionality.
As I was reading Chain of Attack, it felt very familiar and, looking back at my blog I notice that I have indeed read another book by Gene Deweese – Renegade which is #55 in the Pocket Book series.  Reading that review (from just over a year ago!) confirmed some of the impressions I got from Deweese’s writing; clinical, masculine, and lacking emotional depth paired with strong characterisation, story concept, and effective use of supporting cast.  I do think that Chain of Attack is a stronger story than Renegade however.

Chain of Attack begins with the Enterprise being hurled into a distant region of space via a spacial anomaly that appears to have been created by an ancient (and presumably extinct) species.  Isolated and with no way back home, the Enterprise explores the space around where the anomaly deposited them.  To their horror all the planets they come across have been decimated by weapons of mass destruction and over a long period of time.  Eventually they come across other space faring craft, however they attack the Enterprise on sight… as well as attacking each other.  Fortunately they are not as technologically advanced and the Enterprise has little trouble with dealing with these encounters, bu the crew are horrified by the alien species’ propensity for suicide.

Both species the Enterprise encounters refuse to communicate to either the Enterprise or each other… lost and along in this strange region of space, Kirk finds himself trying to understand these strange and destructive peoples and eventually, attempting to broker peace.

However, there is dissent in the ranks, and Kirk has to fight on two fronts.

It’s funny how different reviewers see different books.  Often when I feel strongly about something I ask my partner (as regular readers of this blog will know) to see if he agrees with me.  Often we do see things the same way, other times he gives me a different perspective.  I also double check myself on goodreads, sometimes a reviewer there will give me a better perspective… and very often I wonder if we’ve read the same book!  Some reviewers have said that they don’t think Chain of Attack has very good characterisation and that Kirk especially is out of character – I think completely the opposite!  To confirm how I felt, I gave my partner a few pages to read and he agreed, the representation of the characters is right on the money.  We both felt that when reading character interactions especially (but not limited to) between the trinity that they were jumping off the page, that it’s like what could have been acted out in, I think, season two of TOS.  I feel like possibly some commenters haven’t seen the series itself recently and so have a different impression/memory of Kirk et al.  The other criticism is one I have made of other Star Trek novels, but I don’t think applies here and that is that it’s not really a Star Trek story and that the characters are bolted onto a general sci-fi story.  I disagree, I think absolutely that Chain of Attack was conceived as a Star Trek story, it even has a character type seen in the original series and an slightly too convenient resolution for that character!

As well as the excellent characterisation of Kirk, Spock and McCoy (I’ll restrict my gushing, lest it get a little repetitive), Deweese’s original character Doctor Jason Crandall is actually a really enjoyable character to get to know.  I mean, he’s infuriating on one hand, but on the other because Deweese lets us ‘see’ his thoughts and thought processes he’s almost understandable but with that you get a kind of tension… you know he’s going to do something but you’re not sure what the something is going to be.  The funny thing is that when he does act it’s a laughable failure, and that is… almost tragic I guess?  Crandall is just so deluded and his understanding of the situation so wrong he ends up being a really effective tragic character.  Even the fact that Kirk writes his attempts at mutiny off as not being particularly worrisome makes the character effective.  I get the feeling that possibly Crandall got some of his character traits at least partially from people who dislike Star Trek, or criticise Kirk as a leader/captain/character.  Certainly I have seen similar commentaries to Crandall’s in articles about Star Trek or various Facebook posts; He isn’t realistic, he has too much ego, he only wishes to satisfy his own sense of adventure, he throws his crews lives away – that kind of thing.  Crandall echoes this commentary, and if I’m right… that’s a fantastic in joke (with a clever tongue in cheek resolution).

I really liked the two alien species that were encountered, I liked how different they were physically but how similar they were mentally.  I liked their individual characterisations, that they didn’t all react in the same way (not all painted with the same brush) even if they were a little bit frustrating for Kirk to deal with.

Near the end of the book an unexpected third species is discovered, and actually an unexpected resolution for Crandall and the Enterprise crew.  Naturally, the crew of the Enterprise return to their original part of the galaxy (with some relieved passengers) and leave behind them the beginnings of peace for the two species they encountered there.

All in all a really solid novel, clean and concise with a very ‘Star Trek’ ending.  My only complaint is that Deweese is very distant emotionally and that is less enjoyable for me, but that being said I did really enjoy Chain of Attack a great deal, and even if you (like myself) like the more emotional novels, this one is worth a read.

It’s not very fun to write about though…?

4/5 – It’s done, I made it!

Star Trek – Dreadnought!

“Put Piper on.”
Damn, I knew it, I knew it! “Pi-” My throat closed up.
Star Empire, do you read?”
“P-Piper here.”
“Can you handle that helm?”
“Hell if I know, sir.”
“I can command you from h-“
The ship shuddered and lurched to starboard, pushed by a photon blast on the underside of the primary hull.
So, it was with trepidation that I picked up my final book in this selection of ten Dreadnought! (#29 Pocket, #29 Titan) (1986).   Disappointingly, books in this grouping (#21 to #30) have been majoritively misses (for me anyway) with a couple hits.  I got about half way through Dreadnought! and was ready to write a scathing review.  I wasn’t enjoying reading it, I didn’t like the style, I hated the main character, I despised the puerile dialogue… and then I thought… perhaps I’m reading this the wrong way?
I like well written books, and frankly I’ve been spoiled.  I mean, when you’ve found an author or two who just get everything right for you, you’re spoilt.  There is one particular author (not a Star Trek author) who just takes my breath away every time I read a new book by him, and damn it I want that sensation with more things I read!  Keeping this in mind, I took a step back from my own dislike of Dreadnought! and wondered who it was written for, who would like it, who would read this novel and dream they were lieutenant Piper.
It became so obvious then.  I’d been so unhappy reading it, holding it up against an impossible standard that I hadn’t given it a fair chance.  I hadn’t stepped back and thought that, well, perhaps I’m not really the intended audience, perhaps in its own way it is good, it’s just not what captures my imagination anymore.

Anymore?

Yes, anymore.  When I took a step back I realised that actually, actually I would have loved this book fifteen years ago.  A silly, awkward fourteen or fifteen year old who dreamed about being older, not realising that as an adult she wouldn’t be the same person, that she wouldn’t have that same mentality.  A girl who didn’t realise her glib remarks didn’t really do her any favours and that sarcasm wasn’t very flattering.  A girl who wasn’t interested in the latest boy band, but who idolised star ship captains, and elves, and fairies.  A girl who still secretly played make believe while running around her family’s land, making herself a main character in a myriad of games and make believe stories.  Could she rescue a borg drone from being a drone?  Yep, because she was special.  Find a magic lamp and make three wishes? Of course.  Somehow succeed against the odds, gain her peers respect, earn recognition?  As easy as breathing.
Yes, that little girl would have loved Dreadnought! and lieutenant Piper’s exploits. 

Oh, of course that isn’t going to get it completely off the hook, but once I realised some of this I started to be able to enjoy it (you might have noticed I’m a little bit mulish).
I guess my mind keeps coming back to that explanation of a Mary Sue; why they exist, what they represent, and I just get the feeling that (and I recognise I could be wrong) lieutenant Piper of Proxima may as well be called lieutenant Carey of ‘somewhere in the USA‘.  I very much think even if we discard the term ‘Mary Sue’, Piper is still a self-insert (made more likely by the rumour that Diane Carey modelled for the cover herself) and her adventures probably the outcome of many hours of play.  Carey herself says she was a first generation fan, she would have been what, thirteen or fourteen when Star Trek first aired?  It fits, doesn’t it?
Lieutenant Piper is like… the dream outcome for an awkward, dorky girl in her teens.   She isn’t one of the beauty queens or popular girls, but she’s still pretty enough to have a ‘lover’ right?  And everyone seems to love her, even though she hasn’t learned to love herself yet.  She makes friends easily, but importantly she makes mistakes with her relationships too… so she’s realistic to a teenage girl trying to make her way through the minefield of school and hormones.  Piper gets angry with herself, berates herself, asks herself why she’s being so stupid.  She makes those silly teenage comments that sound so clever to a child (what a come back!), but to an adult it makes you cringe a little bit inside (oh, why did you say that you silly girl!).  
Carey (or Piper, or both) realises that Kirk is off limits, after all no mere woman could come between Kirk and Spock (I caught all those little observations Carey, slash knows slash) so she creates her own Vulcan ‘Sarda’.  Sarda doesn’t look like Spock, his colouring is auburn hair and light eyes but he’s still a Vulcan and… also caught between two worlds.  Although he is fully Vulcan, he has a penchant for weapons design.  Piper drew attention to this, Sarda got ostracised by his fellow Vulcans, cue teenage angst.
This is naturally what will draw them together in the end – and Carey Piper will have a deep and meaningful bond with a Vulcan, just like Captain Kirk whom she idolises.  Now I completely understand her passion for Kirk, completely but good grief girl, stop making eyes at the Captain when you’ve got a Vulcan waiting in the wings (and a forgettable ex, that’s ok though).
Events move incredibly quickly, like a child recounting a story ‘and then this happened, then this, then suddenly – this!’ one minute she’s a cadet in the academy taking the Kobayashi Maru test, then she’s been made lieutenant on the Enterprise, then she’s on board and before she can change her clothes there’s an emergency.  Then she still doesn’t change her clothes (because she’s special don’t you know!) and then she breaks out, steals a shuttle type thing, gets caught by the soon to be bad guy, then escapes, then captains the dreadnought, then we’re all back home in time for an award ceremony and a buffet.  Later she’s going to go sailing with Captain Kirk and they’re both going to talk about what it’s like to be bonded close friends with a Vulcan.
It’s honestly ridiculous, I mean she wears a black jumpsuit instead of her uniform the whole way through.  Her group bunny hop down a corridor as a diversionary tactic.  The amount of contact between her and Sarda is nearing on indecent, and some of the descriptions of things – ‘orgasmic’ oh you naughty girl! – are far past appropriate!
It’s not so much a Star Trek story as a girl’s fantasy.  To be the one at the centre of the narrative (and it can’t be any other way written in the first person), to be accepted by people you admire, to work out and thwart a plot which threatens the galaxy AND manage to show that you listened in your social studies class as you talk about ideas like ‘big government’ and ‘civil liberties’.
That being said Diane Carey has made copious use of the Technical Manual, which gives the specifications for the Dreadnought class ship and the name Star Empire.  She also uses a couple of the flow diagrams which are in the technical manual that describe Starfleet hierarchy.  In addition to this, there are also two technical drawings at the back of the book which show two smaller ships / shuttles – a one man fighter ‘polliwog’ and a two man ‘arco attack sled’.

So… I guess although it’s ridiculous, thoroughly unbelievable silliness, I guess it isn’t totally terrible as long as you accept it for what it is.  Seeing that Carey wrote historical romance novels around this time, it makes sense that the Piper and this whole book should be written in this style.  Historical romances are aimed at women and the main characters are often just stand ins for the audience, and that’s what Piper is.  She’s making new friends and having encounters with men who are (in her world) possible romance options. 

Anyway, Dreadnought! has a lot of heart and despite not liking it, I’m going to give it a 2/5.  As I said, for what it is, it isn’t bad.  It’s not trying to be anything other than it is, which is a  simple teenage / young adult novel set in the Star Trek universe.

2/5 – because uniforms aren’t for main characters.

Star Trek – Crisis on Centaurus

Kirk ran it through his mind again.  We’re relatively safe as long as we stay in here, as long as Burke knows where we are and feels in control.  If we leave Burke will think he’s losing control, and we’re dead.  But we’ve got to leave.  Now just how the hell are you going to pull this one off, Jim?

First question: Was this novel sponsored by American Express, Coca-Cola, Hilton, and British Airways?
Second question: Did I watch the same Star Trek as Brad Ferguson (author)?

From the outset Crisis on Centaurus (#28 Pocket, #47 Titan) (1986) by Brad Ferguson delivers a quite warped view of the Star Trek future.  I’m not going to pull any punches; the story was pedestrian, characterisation was poor, and understanding of the Star Trek almost nonexistent.
Crisis on Centaurus isn’t getting a good score, that’s for sure.

There were so many things simply wrong about this book, it’s difficult to know where to start.
Summary of Crisis on Centaurus – Memory Beta (as of time of writing detailed but incomplete).
The Story

The story was simplistic and uninspired and hinged upon beliefs and mentalities confirmed to be eradicated by this time in human history.  We know that the concept of money is a little hazy and that we know that racism within humans is pretty much unheard of, and we also know that Alpha Centauri IV (or in this case Centaurus) is a thriving Federation colony (in fact a founding member of the United Federation of Planets).  Much of the narrative of Crisis on Centaurus hinges on Centaurus being somewhat at odds with the Federation and Federation principles so ultimately Crisis is based on a faulty premise to begin with.
Initial conflicts of interest / principles with the Federation are apparent from the first page.  What really stuck on page one was the ‘American Express‘ cash machine.  The use of real big name brands occurs throughout the book and to me indicates not only a lack of understanding of Star Trek but also a severe lack of imagination.  I might have been able to ignore the rampant capitalism if Ferguson had bothered to invent an equivalent but… for me the inclusion of American Express (which highlighted a monetary system), Hilton, Coca-Cola, and strangely British Air(ways) broke my suspension of disbelief.

Stretching for ideas, Ferguson uses racism to try and make his villains more… villainous.  Humans who are not only xenophobic of other species, they are also white supremacists!  So, did we watch the same Star Trek or did we see two different shows?  Star Trek TOS explicitly says racism doesn’t exist within humans two or three times, humans have grown past that.

Additionally, part of the plot is that the planet’s defence system has gone haywire and is shooting nukes at anything that flies…  Sorry, are we part of the Federation or not?

The story is so badly structured and conceived that in order to have an understanding of the motivations of the plot the main remaining villain gives a long winded hypothetical exposition.  Look, Ferguson, if you’ve got to the point where you’ve got to wrap up a book and the only way you can do this is by having the bad guy (who really wasn’t behind the big explosion anyway) tell you everything from the motivations to the execution of the events because otherwise everyone is going to be none the wiser… you’ve failed.

A subplot is that the Enterprises’ computer system has been damaged and it might have been sabotage!  Except it wasn’t and nobody really thought about it too much and took quite a cavalier attitude to the fact there might be a saboteur on the ship, in that nobody actually investigated anything.  As it turns out a tiny black hole winked in and out of existence while the Enterprise was travelling at warp two and that’s what damaged the computer system.  It’s not really investigated until the end.

Ferguson also seems to forget how the chains of command works on the Enterprise and makes a big thing about Uhura being put in charge of the Enterprise (presumably because she’s black or something and it fits with his white supremacists plot point).

Characterisation

Characterisation was poor all round with Kirk having some terrible dialogue and out of character moments, just take a look at this example of sterling writing:

“You can’t afford to sneer, Barclay,” Kirk said.  “You’re too close to being dead right now.  So shut that hole in your face and stay down on the floor.”

 Um… What even is this dialogue?  Much of the ‘character development’ for Kirk revolves around that he’d much rather kill the criminals behind the atrocity but he’s going to do his duty despite his desire to end their lives himself.  Laughable.

Spock gets off lightly and Ferguson puts in a few emotional lapses so he isn’t a complete robot 100% of the time.  No really terrible dialogue that I can recall but nothing wonderful either.

McCoy is barely in the novel, nor is his daughter Joanna.  You’d think there would be character development here, McCoy being worried about his daughter, some exposition through his daughter.  Well Joanna makes an appearance for about 25 pages, McCoy for reasons unknown doesn’t go down to the planet to help until after she is found alive.  Personally I would have thought that nothing would have stopped McCoy from going down to the planet especially since he wouldn’t be going on the transporters since they are non-functional throughout the novel.

An OC nurse however does go down to the planet’s surface in McCoy’s stead.  Her purpose is to provide some cringe inducing dialogue from Chekov and to create some sort of tragic, abortive love affair with him.

Which reminds me every-single-woman is commented on or leched at by Kirk and/or Chekov.  Every time those lines came up I felt like shrivelling up in embarrassment.

The Villains are non-entities.  The scientist who started the blast was a bland nothing, the bad-guys Kirk was trying to save in order for them to be taken to trial and avoid the Centauran death penalty (what?) were bland, uninteresting and ‘the big bad’ was cliched.  The best villains were the government agents, who weren’t villains at all and just wanted to arrest the terrorists under their own laws.  Kirk didn’t like one of them… probably because the government official was competent and doing his job unlike everyone else in this version of Star Trek.

Basically, don’t read Crisis on Centaurus.  It’s a waste of time.  It’s not even a good story, let alone a good Star Trek story.

1/5 – Product Placement.

Star Trek – Mutiny On The Enterprise

“Of course life is precious.  That’s why our mission to Ammdon is to prevent a war.”  Kirk wasn’t the least bit surprised when both Ross and Kesselmann scoffed at that.  This was the single most prevalent opinion  he’d ever encountered among his diverse crew.  “Have you considered that you did not hold this odd belief until after you spoke with the alien Lorelei?”
You would not believe how much I wanted to read Mutiny on the Enterprise by Robert E Vardeman (1983) (#12 Pocket, #45 Titan), and that was before I read The Klingon Gambit.  Unfortunately Mutiny on the Enterprise is the last Star Trek novel by Vardeman published by Pocket Books, which I personally feel is a great shame because he really is an excellent author.
Mutiny on the Enterprise takes place during the original five year mission – ignore older Kirk and Spock in strange uniforms on the front cover.  Seriously, why can’t they illustrate the covers with the correct ages / uniforms of the characters?!  Was there some sort of Pocket Books edict that all covers must be wholly inaccurate?  That being said looks like the right bridge is in the background (red railing) and the alien Lorelei pictured on the front fits with her description.   Perhaps making Shatner and Nimoy (especially Nimoy) look 80s hero haggard and old was in vogue?
For once the tagline is accurate (shocking I know):

On a mission of peace, a bewitching woman sets the Enterprise at war – with itself!

I wondered, what would cause the crew of the Enterprise to mutiny?  The crew of the Enterprise doesn’t mutiny not with James T Kirk as captain or without some serious alien intervention!  Well, it is the latter, serious alien intervention, the funny thing is, it wasn’t until I looked up my review of The Klingon Gambit that I realised that Vardeman definitely has favourite story elements!

  • Alien psychic intervention
  • Mutiny / Crew disobedience
  • James T Kirk & Spock remaining mostly immune
  • McCoy definitely not being immune
  • Threat of an established villain mixed in with some new aliens
All the above appear in both of his novels, I often notice that some authors revisit a particular story / characters / set of themes in an effort to, I guess, produce the perfect story.  It’s like they’re hammering away at this idea in their head that means a lot but can’t ever be happy with it.  An author who wrote one of my favourite trilogies as her debut does this, and although there are problems with her first iteration, I think it’s the best.  Subsequent iterations never quite capture the magic of her first attempt.  It would be interesting to read his other sci-fi works and see if he revisits these again under a different guise!
I kind of get this feeling with Mutiny on the Enterprise however, although Vardeman revisits the same story elements the story itself has a different overall message / theme.  In this way, it is more in keeping with the moralistic bent to the episodes than say the previous novel in the series Yesterday’s Son.  
Mutiny on the Enterprise starts in a rather cliched fashion, the Enterprise in on it’s way to a Starbase for some much needed repair work and some R&R for the crew, however a situation has arisen and diplomats will need to be transported to a distant system in order to avoid a war between two hostile planets.  Why is this so important?  The Romulans are trying to get a foothold in that part of space and are looking to capitalise on the encroaching war to achieve this.
Unfortunately for the Enterprise, it really is in need of repairs and can only make a weak warp two, sometimes three, for short periods of time.  Before they get to their destination they pick up a distress call, which is when the milk run turns sour.  They pick up a survivor from a very broken ship, she tells Kirk she is a speaker of the ‘Hyla’ a yet uncontacted race by the Federation, and her name is Lorelei.  Kirk notices that although she is not pretty she is attractive, he feels she has some sort of effect on him.  They continue on their way but Lorelei comes to Kirk, concerned.  The Hyla are total pacifists who (it is revealed) will not stand by and let another species go about its own business.  Basically they would ignore an idea like the prime directive in a lesser species if it would stop fighting, they would not allow a species to self determine because only their doctrine of pacifism should exist.

You can probably see where this is going to go horribly, horribly wrong.
Lorelei soon gets to work on subverting the crew to her way of thinking, using her own indoctrination techniques to control the crew and undermining Kirk’s authority.  Of course, she is never violent but her way of thinking even to the most forgiving of readers is destructive.  In a bid to get his crew under control (only Spock seems unaffected) Kirk sets up almost a speaking competition between the Tellarite diplomat and Lorelei.  Unfortunately, as good as the Tellarite is, he does not have the strange powers Lorelei has, and Kirk’s plan backfires as the Hyla woman cements her control over the crew.
How they should look…
The Enterprise is damaged, most probably sabotaged, and is left without warp power.  Left without warp they limp towards a planet which appears to have advanced humanoid life and crucially, a source for the shielding required to repair the warp engines. Spock, Mccoy and a security detachment beam down in order to negotiate with the inhabitants, however, this all goes sour as initiating contact caused an extreme reaction and they are imprisoned in a living prison.  The diplomats disobey Kirk and beam down, they also find themselves captured and one of their number is killed by the planet itself.  Finally, Kirk finds himself with a need to use the ship’s phasers to fire on the planet in order to break his crew and the diplomats out of their prison, however Lorelei’s pacifistic control of the ship is absolute and she exiles Kirk from Enterprise and beams him down onto the hostile planet.

While looking for the landing party, Kirk observes that even the buildings are alive and appear to grow and, it seemed that as long as he didn’t disturb anything he could wander unimpeded by the planet.
Kirk manages to save Spock, McCoy, the security detachment -1, and the diplomats -1.  They notice that there is an Enterprise shuttle going back and forth from the planet to orbit, they surmise that Lorelei has coaxed the planet into giving them some of the much needed shielding.  They manage to hijack the shuttle and escape.  McCoy gives everyone waxy earplugs in order to preserve them from Lorelei’s effects.  Unfortunately, all the diplomats are now well and truly dead.
The final parts of the novel play out as you might expect.  I won’t spoil the end, which frankly was a little bit of genius, but it was as satisfying as it was a bad idea (very).
Mutiny on the Enterprise has some interesting points.  There’s some talk on what total pacifism means – what does it look like when taken to extremes?  Well, like any extreme ideology it appears to have no room for reason and it breaks it’s own ideological ideals in order to maintain it’s status quo.  For example, Lorelei would strand Kirk and McCoy, probably Spock too on the hostile planet in order to avoid ‘disruptive influence’ despite the fact it would ultimately directly lead to their death by the planet organism.  Her ideology allows her to indirectly kill in order to ensure and propagate her agenda.  She also denounces self defense, even when her thralls are being eaten alive the ideology dictates they can’t use violence to defend themselves.  As such, this line of thinking extends to the Federation, she does not believe that they should have weapons for defense, despite knowing they have to defend themselves against foes like the Klingons and Romulans.
Probably my most hated character
of all time….
She’s a hypocrite.  In order to stop Kirk she uses force and violence.  In order to keep control she would indirectly kill.  She espouses an ideal of total pacifism where you can’t even defend yourself.  Absurd.  She reminds me of another character dedicated to total pacifism which drove me utterly bonkers – Relena Peacecraft from the anime Gundam Wing (1995).  The thing is with this character archetype, they still need other agents to do their dirty work and generally they don’t acknowledge that.  People are also expendable as long as it furthers the pacifistic ideal, even if it could mean the preservation of life.
They also tend to be incredibly naive and narrow minded, like most extreme ideologies of this nature, everything is black and white, never grey.  In the case of Lorelei, she is privileged in that she can enforce her ideals by brainwashing and eradicating those proven to be uncontrollable.  In Relena’s case she was privileged by birth, she had money and prestige and the sheltered environment needed to nurture her naivete.  The other children who pilot the war machines from the space colonies had no such privilege and had to develop inline with their abilities and experiences.
Sorry, went off on a bit of a tangent then!  But Gundam Wing is one of my sci-fi favs and my first corrupting fandom influence!

I actually really liked the idea of the planetoid organism.  I didn’t expect that, but then perhaps if I’d thought about The Klingon Gambit perhaps I should have since Vardeman uses the idea of interconnected organisms on a planet in that one too!  Moving trees that attack… all the creatures being able to feel each other’s pain etc.  Of course in this case it’s slightly different as everything on the planet is one organism and even the humanoid creatures that live in the growing houses are as cells are in our bodies.  The unknown creatures such as the Enterprise crew are treated as bacteria or viruses, quarantined or broken down as our cells would to invaders.  The planet was able to be at least partially put to sleep by Dr McCoy using an anaesthetic (local) but it could also be wooed by Lorelei’s words.  I have to admit that was a little odd, since it was stated that there was no sound made by the beings on the planet and that nothing had ears… so how did she get what she wanted?  Perhaps I should let that one slide.
Characterisation is at times very strange, but that is easily explained by the brainwashing effect of Lorelei’s honeyed words!  I really enjoy Kirk centric novels (as you might have gathered) and I think Vardeman got his characterisation down pat.  Spock’s was also strong, although in one of his more aloof states although there was plenty of banter between him and McCoy.  McCoy was also wonderfully… McCoy about the whole drama, plenty of emotion, plenty of snide comments.  Keep ’em rolling!
A Tellarite from ‘Journey to Babel’.
I haven’t really touched on the diplomats yet, they were actually an interesting bunch and I kind of expected more to be made of them, I was quite sad when they all died!  We were meant to dislike them to a certain extent when compared with the gentle Lorelei but I couldn’t help but think that they could have been so much more.  The Tellarite diplomat got some good exposition, but the sentient plant was a really interesting character that didn’t get developed and met a grisly end.  The death of the immaculately clean and fashionable human diplomat was a disappointment, we learned he was actually a good man and he got killed by the planet.  So unremarkable was his death I actually read the section twice trying to identify when he died… poor fellow.
The last section of the book has Kirk playing diplomat.  Lorelei’s prediction of failure and the Enterprise being a catalyst for war was a self fulfilling prophesy.  I couldn’t help getting frustrated!  Well of course they’ve failed!  They were delayed by Lorelei, their diplomats are dead, their ship is currently held together with duct tape and a prayer, what was going to be the outcome?  I should think that had they been able to fulfill their mission of peace unhindered they would have succeeded.
I guess we’ll never know.
Again, this is a really strong entry into the series.  Not quite 5/5 but a respectable 4/5 on my highly subjective scale.  I did have a look at some reviews which bemoaned it as not being a good follow on from Crispin’s Yesterday’s Son, but I think it’s very much it’s equal.  Different scope, different style but just as enjoyable.  Mutiny on the Enterprise builds on Vardeman’s ideas in The Klingon Gambit and is definitely worth a read.
4/5 – No R&R for you!

Star Trek – The Klingon Gambit

Kirk felt drained.  Spock fluctuating emotionally before his eyes, Scotty and his pilfering, Chekov and his wild desire to blast the Klingon out of space, the crew becoming edgier and edgier – all took a toll on his nerves  He felt more like  a mediator in civil disputes than the captain of  starship.  The dull throbbing in his head refused to die down as long as he sat in the command chair.
“Mr Spock, you have the conn.”
For the first time, Kirk added under his breath, “And I hope the ship survives it.” 
So if there ever was a book to teach me not to judge a book by its cover I guess this is the one!  The Klingon Gambit (#3 Pocket, #33 Titan) by Robert E Vardeman was actually one of first Star Trek novels I bought (it was included in a bundle of books on ebay), but I have repeatedly put it to one side simply because the cover art wasn’t to my taste. Foolish girl!  Will you never learn?

In my defense I am generally more attracted to stories with heavy character development in and they more often than not have compellingly large renderings of the relevant characters on them so I am naturally more drawn to those covers.  And… although I like star ships and technology I prefer people and aliens… and… Look frankly I find this cover ugly as sin, the Klingon ship is drawn in an ugly way, the colours don’t attract me in the slightest.  Believe it or not, the Titan Books edition is even less inspiring than the pocket books edition pictured here.  What’s more, the tag lines on the book makes it sound awful.
IS THE ENTERPRISE DOOMED AT LAST?

THE KLINGONS ARE HUNGRY FOR WAR… THEIR TARGET: THE ENTERPRISE

It sounds so generic, so uninteresting, so you will forgive me for being less than enthusiastic about this one.  But actually… it was really, really good.

Sorry, say that again?

It was really, really good.

… and I read it in two sittings.  Sure, it is a very modest book only 158 pages long, so that has something to do with it but even so it is very good, it’s a real page turner.  It kept me guessing.
The Enterprise is called away from mapping a new planet  in order to investigate a possible attack by Klingons on a Vulcan research vessel.  When they arrive at the scene they find the Vulcan ship drifting serenely in space and all the Vulcans on board dead.  There are no signs of struggle and the corpses of the Vulcans appear to indicate they died in a state of meditative repose.  Wary that the Klingons might have used a strange and powerful weapon, Kirk and the Enterprise approach the Klingon Dreadnought and make contact with the archaeologists on the surface of the planet.  The Enterprise keeps herself between the Dreadnought and the planet in order to protect the archaeologists,  but it is not long before the crew start acting strangely.  Spock starts to swing between being emotional wreck to being a cold computer, Scotty starts stealing parts to try to eke out extra power and efficiency from his beloved engines, Chekov is having trouble controlling his  violent urges to attack the Klingons – the whole crew is degenerating as each man starts to fulfil his own desires over his duties.
To make matter worse, the Klingon vessel is having similar problems.  Mutiny is rife and the Klingon commander tried to keep his charges under control, which adds even greater problems for Kirk – how will these erratic Klingons react? 
Kirk needs to work out what is causing the strange behaviour in both crews while trying to keep his in control and safe.  What did the Vulcans find?  What is causing the strange behaviour in his crew?  Are the Klingons to blame?
Throughout the novel there is one piece of information that we’re missing which keeps us in the dark (and turning pages) until the end – until Kirk asks the right questions.  The whole situation is utterly puzzling, made more perplexing by the fact that Kirk doesn’t appear to be influenced by ‘whatever it is’ and has to navigate the situation on his own as McCoy becomes increasingly cantankerous and anti-technology and Spock swings from emotional extreme to non-emotional extreme.
The book would be utterly spoiled if I reveal anymore on the story, so you’ll have to read this one yourself to get the whole story – I ain’t spoiling this one for you!
I really liked the overall message of the story, the ‘moral’ as it were.  The story is based around acting selfishly on your own desires and the damage that a person can do if he acts solely for his own contentment.  The Enterprise is society in microcosm, and this book demonstrates how a society breaks down if it becomes totally selfish.  It also demonstrates that people can be better and can beat their impulses and desires for the greater good – sometimes (like in the case of Chekov) we just need guidance from others to understand right from wrong.
Stylistically The Klingon Gambit is easy to read, and Vardeman has included a good amount of humour in his story.  I particularly enjoyed Scotty’s escapades with the engines!
My only real complaint is that it wasn’t long enough!  I honestly can’t fault it, it was just enjoyable.

EDIT:  I forgot to say!  The tag lines are completely misleading / off the mark!  The target was never the Enterprise and they aren’t hungry for war!  I say again – who writes these things?!

4/5  – I’m getting soft in my old age.

Star Trek Legacies – Captain to Captain

“Right on schedule,” Kirk observed.  “I always heard that she was known for her punctuality.”
“You heard correctly, Captain,” Spock said.  “In my experience, she is admirably precise in all matters.”

Ok so, there’s kind of a funny story to go with reading this one.  Well, I go away to visit the family for Christmas and then manage to not take a single book with me to their place because my bag with my life in got left at our place.  I was not amused to say the least.   Anyway, after Christmas we went shopping, there happened to be a Waterstone’s book store, I went straight to the Scifi section (you know the drill)… and would you look at that, somehow I ended up buying the 50th Anniversary ‘Legacies’ trilogy.  Considering I have 127 books on their way to me by mail, my partner was not amused… but The Special 50th Anniversary Trilogy hunny!

Before I launch into the review proper, I’m going to clue you up on The Special 50th Anniversary Trilogy (I just like putting it in bold, I get kicks out of strange things) is.  As you can probably guess (unless you are a Hitchhikers Guide to the Galaxy fan) there are three books in this trilogy (not four)  and they are as follows:
Star Trek Legacies
Book 1 – Captain to Captain by Greg Cox
Book 2 – Best Defence by David Mack
Book 3 – Purgatory’s Key by Dayton Ward & Kevin Dilmore
So, we’ve got a trilogy written by four different authors, not particularly unusual.  If Greg Cox sounds familiar, you may have read one of some of his many Star Trek novels, or you might have read my Child of Two Worlds review.  I’ve come across the names of the two other authors once or twice before but I don’t think I’ve read anything by them.  I’ve got to admit, I’m a little disappointed that there are no female authors involved in this project, considering the number of female authors who have written Star Trek novels and how influential female fans have been to Star Trek generally.  Are there no active female authors in the Star Trek novel world at this point in time.  Sorry rambling again.  Anyway, Greg Cox writing the first novel can only be a good thing right?
The Legacies trilogy was initially released from June to August 2016 with the paperback releases running from July to September 2016, all ready for Star Trek’s 50th anniversary in September.
For the cover art on all three books they have employed Alan Dingman and used the more ‘photographic’ or should I say ‘photoshop’ style for the covers.  I’d say the strongest cover of the three is ‘Best Defence’ while the weakest unfortunately is ‘Captain to Captain’.  The three books are colour coded Captain to Captain is predominantly green, Best Defence is most definitely blue and, Purgatory’s Key is… red.  Have you twigged yet?  The original colour for the command uniform was green, science is blue and red is operations / security; they have reflected the uniform colours in the colours of the books.
I have to admit, the cover didn’t win me over immediately, although I was intrigued by Number One or ‘Una’ being on the front next to Kirk and Spock.  I was torn between getting the trilogy and a book with a prettier cover, but as you probably gathered, the trilogy won out in the end.  Probably because book two has a very pretty cover.  You’ll notice on this one though, that Number One has got captain’s braid on her sleeve, unsurprisingly Miss ‘Number One in everything’ got busy climbing the ranks in Starfleet.
Being the first book in a trilogy, Cox has a lot more play in how complex a story he can create.  Being a planned trilogy he doesn’t have to worry about wrapping the story up in one episode, and certainly doesn’t have to worry about tying up any lose ends or returning the universe back to the status quo by the time he types his last word.  This kind of freedom cuts both ways for Cox who has the opportunity to play with a character he really seems to love and get on with but consequently seems to spend a little too much time on her.
Captain to Captain (2016) revolves around a secret, a secret that only the captains of the Enterprise and their trusted first officers have knowledge of.  The secret is a key which has been concealed even from Starfleet and kept on the Starship Enterprise since the time of Captain Robert April (the ‘first’ Captain of the Enterprise) through to Captain James T Kirk (the ‘third’ Captain of the Enterprise).  The ‘key’ is a device that can open a door to another dimension from which a race of technologically advanced but hideously paranoid and genocidal ‘slugs’ hail.
The officer who first led the mission which ended with sending the ‘slugs’ back to their dimension and acquisition of this mysterious key?  None other than ‘Number One’ or ‘Una’, who is of course Majel Roddenberry’s (nee Barrett) character in the original pilot.  In Captain to Captain, Number One is back now as ‘Captain Una’, on track to being promoted to Commodore Una, she has to act fast to undo mistakes of the past before she is stuck behind a desk and new territorial lines are drawn which may put the Libros system deep in Klingon territory.  Captain Una takes a well considered risk and steals the key from a secret compartment in Kirk’s quarters and escapes from the Enterprise and into the Libros system, slingshotting herself around a sun to give herself the edge over a pursuing Enterprise.  At this point I expected some cooky timetravel escapade, but instead I was forced into a walk down memory lane which felt like it was never going to end.   Una’s ‘adventure’ is actually her recollection of the first away mission she lead, which of course went hideously wrong.  For all intents and purposes it really shouldn’t have gone wrong, Una is apparently an incredibly able and intelligent Illyrian, but… she’s also remarkably dull.  I rather liked Cox’s rendition of her in Child of Two Worlds where she is competent and no nonsense, but here she seems stricken with ISS and a strange psychosis where she keeps reminding herself (and us) that she’s number one in everything, aside from critical thinking.  Perhaps I’m just suffering from ‘Number One’ over exposure, since about 80% of the book over concerns itself with her.  Kirk and Spock are on the cover just to reassure us that they will have a part to play eventually.  I have to admit, I don’t find young Una a very compelling protagonist.  ANYWAY long story short, her away mission crew get transported into an alternate dimension by the horrible slug people, the secret item is the key for unlocking the stargate device that could bring them home.  Unfortunately, at the time she was unable to manipulate the machinery to bring them back (and she was explicitly told not to by the good slug person), but now, in a nice link to the episode ‘Mirror Mirror’ and her excellent memory she is confident that she can bring them back, if they are even alive.  After an incredibly protracted sojourn in the past, we return to the present to follow Una again and watch her cock up again until she finally meets up with a waiting Kirk & Spock who finally get some action.   
Predictably, although she can manipulate the machinery, the arrival of the Klingons gives her little time to locate her crew members to bring them back, so she goes into the desolate alternate universe to find them, hoping to bring them back to the right location in 30 days and have Kirk and Spock operate the machinery and bring them home.  Of course, the Klingons are now swarming the place and coming back to the planet seems almost impossible.

Kirk and Spock are then left to their own devices to escape the Klingons, which they do, but not before their ship is irreparably damaged and only get saved by the Enterprise in the nick of time.

Kirk and Spock seal the Key back into the new safe in the Enterprise, and finally let McCoy in on the secret, since not trusting your crew mates /  friends is what got everyone in this mess in the first place.

There’s a plot twist right at the end, clearly marked with flashing neon signs.  It’s incredibly contrived and irritating.

End of Book 1.

Number One is kind of a problematic character, in that she’s this super confident, super able officer and she has apparently always been this way but suffers from the author’s attempt to make her young and inexperienced – think what Vonda N McIntyre did to the crew in her abomination ‘The First Adventure’.  It was quite surprising actually because Cox’s treatment of Number One in Child of Two Worlds was really strong and a really nice expansion of the character.  Cox obviously has a love for the character of Number One and I can see his enthusiasm, but… I can’t feel it.  It’s unusual but, I didn’t dislike the character but I felt a little confused over what she actually was.  Oh sure, I know she’s an Illyrian, I know she’s outrageously competent, I know she prefers trousers to skirts but I don’t know why she has to keep confirming her competence.  I don’t think she’s arrogant, she just knows she’s the best and it’s true, but then why does she have to confirm her actions or her intentions or her abilities over and over again with internal dialogue like ‘because I’m Number One’?  Is she actually nervous? Neurotic?

I agree that if you are going to use Number One for any length of time then you’ve got to do something to the character to bring her down to earth, but even with her slight neurosis and hideously stupid mistakes she remains unrelateable – which is a problem when 3/4 of the book concerns itself with her.  Although her idiosyncrasies and illogical actions were at times frustrating, she doesn’t spoil the book, I just got the feeling that there was a better was to express her or perhaps a better way for the events to unfold.  Perhaps, for example, it isn’t her leading the landing party and she has to fix other people’s mistakes but it’s too far down the pan for even her outstanding abilities.

I don’t want to give too much of the idea that she’s a bad character, you might have less of a problem with her than I do, and certainly it’s not a bad story by any means. It’s just a little weak at times, which I can only really attribute to the prolonged section in the middle with Una (formerly Number One)… and then the prolonged section in Enterprise’s ‘present’ with Una.  I’m Una’d out! 

Pretty much the only interaction with the TOS crew is between Kirk and Spock, McCoy is pretty much written out Captain to Captain pretty early on and other characters are just bit parts.  Even so, characterisation is both good and bad in equal measure.  In the first part of the book, before the story jumps backwards to Number One’s first away mission, nothing really jumps out at you as being inconsistent.  Again the focus is on Captain Una and not on the Enterprise crew, interaction is limited to Kirk and Spock exchanging furtive glances and shutting down McCoy’s enquiries.  The final section of the book (post Una’s departure) details Kirk and Spock’s escape was fast paced but also had the most lapses in the characters of Kirk and Spock:

“I think I’ve had enough of you piloting, no offence”
Spock gave him a bemused look.  “If I had feelings they would be hurt.”
“Somehow I doubt that.”

Yeah, that face you’re pulling?  That’s my face too.  I’ll make sure we’re on the same page with an emoji – 😒 .  The less said about that stirling dialogue the better, yes?

Some reviews I’ve read for this novel have been glowing, others less so.  For me personally, it was OK, middling, worth reading but nothing special.  I’m still looking forward to the rest of the trilogy though because the story is interesting and I’m also looking forward to seeing what the other three writers are going to bring to the table.  First books in a trilogy are always pretty difficult for writers, especially when they are only writing the first volume, and while I don’t agree with other reviewers that the instalment can stand alone, it’s merits aren’t completely dependant on a follow on story.

3/5 – Time to change pilots.

Hope everyone had a wonderful Christmas and a happy new year!  FYI, I’m in a good, rested mood, I’m not just being mean!  EDIT: Also, I can’t seem to spell… ahh well, all fixed!

Star Trek – From the Depths

“Your arguments are at base emotional,” Spock said. “Logic tells us that any attempt to systemise justice will entail a degree of compromise.”
“Then set logic aside what does your heart say?”
“My heart is incapable of speech, Commissioner.
Wayne stared at him.  “Is he making a joke, Captain?”
“He’s Vulcan,” Kirk said.  “He can’t make jokes.”
He saw the sideways flicker of McCoy’s eyes, the ghost of a grin, hastily hidden.

From the Depths (#66 Pocket, #61 Titan) (1993) by Victor Milan was, I must confess, chosen because it had silver gilded lettering on the first edition, and not the usual gold.  I’m sorry, I’m a bad girl.  Whatever my reason for picking this one however, I’ve got to say it was rather good, although a quick crib on Goodreads suggests that opinion is divided!  I think I enjoyed this so much because firstly Milan created a character I loved to hate, and secondly the water world idea was imagination food.
The premise of the novel is a relatively simple one.  Kirk and the Enterprise are sent to mediate between (read: remove one of) the species living there.  One species (a kind of strange, small horse like creature) claims that humans settled on their native planet and are aggressively attacking them.  The humans on the other hand claim otherwise (naturally) and imply that the other species – the Susuru – started the attacks on them, and that they have merely been defending themselves.  The situation is made more complex because of the Klingon presence who are acting as advisers to the Susuru.

Memory Beta Summary

The bulk of the novel comes from it’s theme and the characters that represent it, and although this novel was written in 1993, the concerns it addresses are especially prevalent today.
You’d expect the Klingons to be the main villains wouldn’t you?  Well… you wouldn’t be totally wrong, but I can’t hate them, they are just being what your expect them to be.  No, the true villain is a human bureaucrat, feminist, PC pushing, agenda driven… female.  Of course these days we’d call them ‘SJWs’ or ‘Social Justice Warriors’, and what a blight they are!  I have a particular antipathy towards people like this and have sat appalled in the same position as Uhura, being talked down to because a feminist disagrees with my position:
Wayne looked around, her lovely haughty face with scorn.  “How like earth men,” she said.  “What other Earth-derived men say is all that’s important – the outcries of native beings count for nothing.”
“Two of the spokespeople for the Discordians were women, Commissioner,” Uhura said quietly.
Wayne dismissed the objection with a flip of her hand.  “The leader was a man.  They’re a male dominated, exploitative society.  The women were figureheads – nothing more.  They’ll recite the lies they’re told to.”
“This ship is commanded by a man, Commissioner,” Uhura said.  “Does that mean I and all the other women aboard are nothing but puppets and empty headed liars?”
“Lieutenant, I don’t think I like your tone.”
“Commissioner, I don’t think I like yours.”
The passage above represents the Commissioner – Moriah Wayne – well and… she’s easy to hate because she’s someone everyone knows.  The apologist with that particularly detestable way of thinking, or reasoning which alienates everyone and will not be brought around to reason.  She demonises one group in this case human men, in other cases all humans, in favour of another species with no consideration that perhaps they (in this case the Susuru) might be in the wrong.  In this case, Moriah’s hatred goes so far as she becomes more of a monster than the monsters, in her thirst for her particular brand of ‘justice’.  I’ve said before that Star Trek is at it’s best when it’s tackling a real life issue, in this case it’s a stark warning of a destructive way of thinking, a thinking which seeks to punish and destroy groups of people because of their backgrounds whilst elevating others because of past injustices committed against them.  Whilst supporting a group and giving them the means to improve is certainly a good thing this shouldn’t be done whilst punishing people who are circumstantially in a better position.
I’ll stop proselytizing now, I just had to get that off my chest!

Most horrifying of course (not really, but humour me) is that Kirk makes a terrible misjudgement regarding his relations with her.  Seriously James T., that woman was unhinged from the moment you saw her, just you just couldn’t keep it in your regulation pants!  I am disappointed.  Problem is, it isn’t outside of his character to do such a thing…

Anyway, not going to spoil just how beastly she is, but she does do something quite horrific, and you know what, when she eventually gets her comeuppance it is intensely satisfying.  Intensely satisfying.  On thing I do dislike though about her characterisation is that her behavior or, well frankly insanity is blamed on a tragic back story.  Like, Milan had to explain it away with some hackneyed pseudo psychology about her being an abuse victim so it kinda mitigates the pure evil she commits.  Sorry Milan, it doesn’t.
Through the commissioner’s story we also have a little bit of insight into Federation politics and the  possibility (almost a certainty) of corruption therein. Different authors have different takes on the situation within the body politic, Milan suggests a wearyingly familiar scenario where self serving individuals cover up  the evil actions of their friends.  I still don’t agree with how this is linked with Moriah Wayne, I don’t see why she had to have an excuse to be a monster.

Theoretically we’re challenged to accept the ‘human’ interlopers, after all they are remnants of Earth’s Eugenics Wars – think Khan – who escaped earth on a sleeper ship, only waking and landing on this oceanic planet forty or so years ago.  The most challenging is that they still practice genetic engineering, which really has been a requirement for life on this planet with its punishingly hot and humid environment and limited land.  The Augments are resourceful and command respect for their adaptation to their new environment, not just genetically but also in the way they have changed culturally and technologically to live on vast floating cities that have the capacity to submerge if the need arises.

We’re introduced to a number of characters from the ‘Discordians’  / Auguments, including a rather attractive green haired girl… who actually is the first character to be described in the book.  Kirk realises however that his ‘love’ has got him in trouble once this adventure and doesn’t pursue her although he is interested in her (and she in him).  Aileea is set up to contrast to Moriah.  She is strong in combat, leading defense against the attacking Susuru but is also gentle and doesn’t want to hurt them.  She is a strong representative of her people without a bureaucratic/political body behind her and doesn’t feel she has anything to prove, seeing herself as equal to all others.  Other discordian characters are equally likeable one extensively engineered woman strikes up and easy friendship with Spock, and another male representative just seems like a super nice, accommodating guy!

I said that we are theoretically challenged to accept the Augments, but in actual fact the challenge isn’t all that hard, and I’m not sure if that is a clever ploy to unsettle us and make us feel like we’re backing the wrong people, or whether it’s just supposed to be taken as read.  After all, the Susuru are allied with the Klingons and they also seem utterly unreasonable, and aside from a couple of contacts with them we don’t get to know them as a species.  The reader and the Enterprise crew don’t get a chance to like them or understand them, although it is difficult to speak to them with the Klingons there.

The main challenge I guess is not trying to reach into the book to strangle Moriah Wayne?

The Klingons needed to be there to facilitate the Susuru’s use of advanced weaponry, but they do fall a little flat.  The commander of the Klingon forces wishes revenge on Kirk for several events in the past, and he’s the one who has concocted this plan to get the Enterprise here while trying to control the planet…  He’s not a strong character and is overshadowed by Wayne, this is possibly because he’s a strange combination of TNG and TOS Klingons.   The Klingons also have a secret weapon hidden under the sea… however this again falls flat as the Enterprise defeats it with relative ease.

I haven’t read any other books by Victor Milan,  but he isn’t an inexperienced author looking at a list of his published works, although From the Depths is his only Star Trek novel.  I’m not sure that reading this novel really makes me want to read any other of his offerings.  I did enjoy it on the whole but that’s mainly because of the characterisation of Moriah Wayne… and the fact she was utterly revolting to me (love to hate!), but certain parts of the story let it down terribly.  I still want to recommend this novel however, it’s worth picking up for a quick and enjoyable read.

3/5 – Somebody set us up the bomb!

Finally – Merry Christmas and Happy Hanukkah! 😺

Star Trek – The Starship Trap

‘He did not normally have such thoughts.  A starship captain must be an optimistic and clever person, in addition to the other attributes he or she might have.  For one thing, Kirk was philosopher king, a supreme and benevolent leader in his twenty-three deck realm.’
I didn’t pick this one!  I actually asked my partner to pick one this time, which is probably why the cover is unlike the others!  I was somewhat put off by the woman on the cover, don’t be afraid, she is not a romance option (I’m not biased at all nooooo….)!  I had to laugh though, she’s illustrated wearing a Starfleet uniform, but it is an important part of the storyline that she isn’t part of Starfleet at all.  I formulated all kinds of theories about how she would end up in a uniform, like, she was an undercover Starfleet spy keeping an eye on an errant anti-Starfleet Federation politician – needless to say, it was not the case.  Which leads me to ask, who did brief the artist on what these covers should be?  Mind you, can’t complain, the artist put Kirk on the front at his best (3/4) angle, and since the cover of the last novel I reviewed was Kirkless, well, I’m glad my eye candy is back!
The Starship Trap (#64 Pocket, #59 Titan) (1993) by Mel Gilden opens with a quote –

To see a world in a grain of sand,
And a heaven in a wild flower,
Hold infinity in the palm of your hand,
And eternity in an hour.

                                       – William Blake
                                          1757 – 1827

– and quite a lofty one at that!  It’s a very well known piece of poetry, and I have to admit I was a little dubious because of it.  Why?  Well, I sometimes feel that authors try and oversell their work by putting a ‘deep’ quote at the beginning, trying to make it more that it is.  That might have coloured my expectation of it a little and perhaps my perception of the narrator.  The narrator’s voice comes  across as pretty arrogant, and slightly aloof but his observations are usually smirk inducing.  The narrator’s main focus is Kirk, his thoughts, feelings and perspectives.  I think the narrator has a strong synergy with Kirk, or perhaps Kirk overwhelms the narrator a little… he’s charmed by him and the narrator digs in to Kirk’s smarmy nature for the best observations and reactions.  Spock and McCoy are strong supporting characters, well characterised especially when the narrator’s gaze moves from Kirk for a short while and reads their inner workings.
Much of Kirk’s interactions in this novel are characterised by a distinct weariness, which you can occasionally see in the series, there are certainly a couple of episodes in season three in which Kirk (or Shatner… perhaps both) is really fed up with the general state of things.  Short tempered, likely to say something with a ‘devil may care‘ attitude, tired of responsibility, tired of politics and bureaucracy.  This may sound like it’s going to be a heavy book with a description of Kirk’s temperament like that, but it’s not so!  The Starship Trap is an offbeat but funny novel that just seems to hit the right key.  I guess Kirk’s attitude in this story is best described as sardonic, which ousts McCoy from his usual role as resident cynic-come-humanitarian to bold-optimist.  It’s nice seeing Bones being cheery, and also RIGHT about someone!  Spock remains Kirk’s right hand, companion and quasi-computer, I’m fairly sure that he’s relieved that Kirk couldn’t go chasing tail this time!
I’m getting a bit ahead of myself, I haven’t even summarised the story yet… but for once I don’t know where to begin!

The story begins with the Enterprise crew on shore leave, this gets interrupted with orders to go pick up one Conrad Franklin Kent and his assistant.  Kent is a Federation politician, Federation presidency hopeful and noisy critic of Starfleet, he is joined by his able assistant Payton, a woman who ‘gets things done.  On picking the Kent and Payton from Pegasus IV, Kent then orders Kirk to travel to Starbase 12.  You can imagine Kirk’s disapproval at this turn of events, especially since the Enterprise is being used as a taxi to a man such as Kent.  During this trip we are introduced to Payton’s mental augment; she has an implant which allows her to record everything she experiences for her records – this of course goes down a treat with Kirk, already not in the greatest of moods.  While on route to Starbase 12, the Enterprise is confronted by a Klingon starship, the captain of which claims that the Federation have been the perpetrators of attacks on Klingon vessels and responsible for their subsequent disappearance.  The easily dislikable Kent refuses to confirm or deny a weapon’s existence to the Klingons.  A truce is eventually brokered and the Enterprise continues on its way, Kirk still in the dark as to the purpose of the journey.
On reaching Starbase 12, it is revealed that the Enterprise is to firstly engage in the testing of a new shield configuration designed by the reclusive Professor Omen (who also designed weapons such as the photon torpedos)  and then go search for the weapon (with Omen’s help) which has been causing not only Klingon ships to disappear but also Federation and Romulan ships too.  Payton also is required to come along on the expedition in order to record the mission with her device and write report for Kent.  Naturally nothing goes to plan and the Enterprise is drawn into a trap, causing the Starship and crew to be thrown into another empty universe which they have to escape in order to stop a madman from sending the crews of hundreds, perhaps thousands of starships into other, unknown universes. 
I actually don’t want to give too much of this one away, because it’s one of those books which will be a pleasure to read and discover yourself.  The Starship Trap is probably more story development orientated than character development, but it is a good balance and Mel Gilden’s writing is really uplifting and enjoyable to read.  The twists and developments in the story aren’t incredibly obvious and I was kept guessing as to whether some characters had more information about the big bad than they let on.
Kirk and Payton are the strongest characters in The Starship Trap.  The way the narrator presents Kirk’s narrative is humourous and his slightly off colour mood just really works.  I think I just really wanted a Kirk-centric novel, and this fit the bill!  Aside from the narration of Kirk’s thoughts, I did like a particular section where Kirk wants to be involved with looking for a solution, only to find that he simply can’t be involved.  Payton is an unusually strong original character who is well developed and is actually useful!  I particularly like the use of her augment, and how it is used as a way to develop her emotionally.  It was also nice that she was out of reach for Kirk (she had absolutely no interest in him and is engaged to another man), which meant they develop a better relationship.  By the end of the book, I was sorry to let the original characters go, I would happily meet them again in another outing (even Kent!)!
Mel Gilden just does a seriously good job with this book, and part of me isn’t happy just seeing this in print.  I think it would have made a really good episode, which I don’t think is accidental.  Mel Gilden has written a huge amount of TV scripts as well as four Star Trek novels, but it’s clear he has a mind for television, the scene changes are often sudden but they are just in the right place to cut out any time wasting dialogue or actions.  At one point Gilden introduces us to an alien race in an alternate universe called the ‘Klingee’, they are of course that universe’s Klingons, but their ships are a dusky pink and they are less warriors and more playground bullies who are easily manipulated into retreating.  The Klingee just felt very in keeping with the humour of TOS, again television friendly, and aren’t we reading these novels because we love the television series so much?

4/5 – Yes, the poem does relate to the plot!